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BookBin2012: Epileptic

Not wanting the “Public Library” portion of my BookBin2012 widget to go unloved, and because I simply cannot stay out of a library as gorgeous as our neighborhood library, I bring you my latest discovery from the graphic novel section: Epileptic by David B. (or David Beauchard).

Originally released as a six-volume series under its French title, L’Ascension du Haut Mal (which translates as “The Rise of the High Evil”; also, “haut mal” is the French equivalent of the English term “grand mal” in reference to epileptic seizures), Epileptic is Beauchard’s retelling of his family’s journey through the sudden onset of his older brother’s epilepsy when his brother was 11.

Beauchard’s choice to approach his family’s story from his younger version’s perspective brings the narrative to a less convoluted, more accessible level. A story dealing with such a serious medical condition runs the risk of becoming overburdened by medical jargon; telling the tale from the perspective of the little brother who must process all these changes and ordeals as they are happening gave Beauchard permission to simplify his narrative without watering it down.

He balances the various family dynamics and reactions to his brother’s worsening condition, demonstrating not only the extraordinary measures to which family is willing to go in order to save their own, but also the disconnectedness and solitary confinement each member experiences, even in the face of familial cohesion in pursuit of a cure. Though they are together in family experimental journeys into alternative medicinal treatments and alternative religions, Beauchard explores well the varied and separate emotional responses he and his family experience.

Beauchard is not an overly sentimental writer, which I believe serves his story well. He is, however, a phenomenal artist. Just as I praised Craig Thompson for the artistry of his novel, Blankets, I believe that Beauchard is another whose artistic prowess has raised my opinion of graphic novels to an even higher plateau of respect. The inky intricacy of his oftentimes nightmarish tableaux roll over you in swells of beauty, horror, desperation, promise, resentment, and resignation. His artwork is unsettling, reflecting at times the disturbing aesthetic of a Grand Guignol influence.

[Or perhaps I merely think this because they're both French. This is sometimes how my brain works.]

Admittedly, the artwork is bold and distinct enough that it was a bit overwhelming at first. I pressed through my initial discomfort and soon found myself enraptured by the dark details of Beauchard’s beautiful black and white panels. His view of the world, both the real one and that of his exquisite imagination, is rich and complex and full of the fury and impotence with which so many families are familiar when faced with an intractable disease. At times I found myself lingering over a page long after finishing the text, simply trying to take in the layers hidden beneath the words…layers that provided a deeper narrative unhindered by the boundaries of letters.

Final Verdict: I hope that this novel has already found its way into another’s book basket at our library. Definitely another one for the Amazon wish list.

BookBin2012: The Best of Cemetery Dance, Volume 1

I’m feeling a bit peckish for horror this year, denizens. I recently reorganized some of my library and discovered that I have amassed quite a few horror-related novels throughout the years, including a rather impressive list of Stephen King novels never once cracked open in all their years of taking up a lot of room on my shelves.

Horror has been my favorite branch of the speculative fiction triumvirate since I was just knee-high to a corpse (I’d rank them horror, sci-fi, and fantasy a solid and very distant last), so I’ve decided that I need to focus a bit more on this part of my library.

First on my list? The Best of Cemetery Dance, Volume 1, a collection of short stories that I bought at a used book sale slightly more than a decade ago (at the same sale that I bought many of my King novels as well as this previous BookBin entry).

For those not familiar with horror-focused literature, Cemetery Dance is…well, allow them to explain themselves:

Cemetery Dance is the World Fantasy Award-winning magazine of horror, dark mystery, and suspense. Each issue is packed with 100 to 140 pages of short stories, articles, columns, interviews, news, and reviews! Plus stunning full-color covers and striking interior artwork! Covering the entire horror field — Books! Movies! Videos! Comics!

The world’s top authors in the genre are published within our pages, but Cemetery Dance is also the place to look for glimpses of the future. We’ve given more big names their “first shot” than any other publication in the last two decades, and many of those authors are coming back for future issues.

Over the years we’ve published authors such as Stephen King, Dean Koontz, Clive Barker, Peter Straub, Charles Beaumont, Graham Masterton, Richard Laymon, Bentley Little, Michael Slade, Douglas Clegg, Jack Ketchum, William F. Nolan, Joe R. Lansdale, Poppy Z. Brite, Ronald Kelly, Rick Hautala, and hundreds of others, including the best new writers in the genre.

They are, indeed, quite the big deal. When this anthology was first released as a hardback, both volumes were together. It wasn’t until the paperback edition that the publisher decided to split it into two volumes.

Everyone wants to make an extra buck or two.

Honestly, though, I think this first volume was not only a perfect size but it’s also a nearly perfect collection. First, allow me to offer you a list of this volume’s stories:

  • “Chattery Teeth” by Stephen King
  • “The Box” by Jack Ketchum
  • “Halceldama” by Gary A. Braunbeck
  • “The Pig Man” by Augustine Funnell
  • “Mobius” by R. C. Matheson
  • “The Rendering Man” by Douglas Clegg
  • “Weight” by Dominick Cancilla
  • “Layover” by Ed Gorman
  • “Johnny Halloween” by Norman Partridge
  • “Hope” by Steven Bevan
  • “The Mailman” by Bentley Little
  • “Silhouette” by Stephen Mark Rainey
  • “Roadkill” by Tom Elliott
  • “The Rifle” by Jack Ketchum
  • “Pieces” by Ray Garton
  • “Rustle” by Peter Crowther
  • “When the Silence Gets Too Loud” by Brian Hodge
  • “The Rabbit” by Jack Pavey
  • “The Flood” by John Maclay
  • “The Right Thing” by Gary Raisor
  • “Pig’s Dinner” by Graham Masterton
  • “Crash Cart” by Nancy Holder
  • “Wall of Words” by Lucy Taylor
  • “Metastatis” by David B. Silva
  • “Wrapped Up” by Ramsey Campbell
  • “Depth of Reflection” by David L. Duggins
  • “The Mole” by David Niall Wilson
  • “Saviour” by Gary A. Braunbeck
  • “Great Expectations” by Kim Antieau
  • “Shell” by Adam Corbin Fusco

As you can see, there are some rather recognizable contributors from the horror genre, including two offerings from Jack Ketchum that might actually be the best of what is already a rather amazing collection. Regardless of name recognition, however, I believe that this is one of the most solid selections of talent from the genre that I’ve ever read. There were nearly no misses in this list, even as the anthology neared the end (where composers of such collections typically tend to stick the misfit toys). True, some of the final stories aren’t quite as strong as the earlier offerings, but I think that tales like Gary Raisor’s “The Right Thing,” Graham Masterton’s “Pig’s Dinner,” and Nancy Holder’s “Crash Cart” are proof positive that sometimes they do save the best for last as well as the beginning and the middle.

Even weaker contributions like “Roadkill” or “The Flood” retained some essence of fear that allowed the words to creep under my skin and nestle their icy presence among the sinew and ligaments within.

Final Verdict: Not only will I be keeping this volume, I’ve already added the second volume to my wish list. Of course, there is the slightest worry that this second volume will include the “misfit toys” that I mentioned in my review of the first volume since it is, after all, the original conclusion to what was once a complete anthology. However, I have enough faith in Cemetery Dance that I’m willing to take the chance…

BookBin2012: Secret Identity

I promise, this will be the last book review for a while. It will also be much shorter than my last two reviews. I don’t want to overload you.

I’m now finished with the stack of CSI graphic novels that I purchased last year, with the fifth in the series, Secret Identity. I thought this was the last one illustrated by Gabriel Rodriguez, but it looks like there might be one more, although it doesn’t seem to be part of the longer serial novels. I think it might be a one-shot novella done back when Ashley Wood was still doing the abstract artwork. More investigating is required.

For Secret Identity, Rodriguez again paired with Steven Perkins on the abstract art. Steven Grant took over from Kris Oprisko as the writer of this story. It’s a shame that this was the last novel Rodriguez and Perkins worked on together, because I believe this is the best of the bunch. Not only did these two artists’ divergent styles merge beautifully for this novel, Rodriguez really came into his own for the main artwork. He invests a great deal of care and creativity into exploring the space of each page, each panel, bringing a sense of grace and artistry to what is also the darkest, and in my opinion, best written story from this batch of five novels.

Steven Grant did a tremendous job writing this story, giving readers something that not only can compete with a television script, but might in some ways surpass what we’ve seen from the show (especially in recent years). It’s refreshing to see such a cumulatively extraordinary effort put toward a medium that, when done in such a mass market style as comic book tie-ins to television series, typically tends to suffer from mediocrity and apathy from all involved. Case in point? Go flip through a stack of hastily written/drawn/published Trek comics and tell me what you think…you know, after you finish peroxide-washing your brain and eyes.

The coloring is again superb, drawing from a palette of soothing to passion-infused, and enhancing the almost cinematic-quality angles of Rodriguez’s cleverly drawn panels. Also, IDW Publishing returned to the standard size for this graphic novel (although it looks like they also offered it in the smaller “New Format” size; avoid this one at all cost), which means larger space for artwork that truly deserves every inch and more.

Final Verdict: Definitely a keeper. I’d vote this the best of the first five CSI graphic novels, hands down. If you’re at all interested in seeing what the comics can offer you, this would be my top recommendation.

BookBin2012: The Legend of Sleepy Hollow

And so it begins, denizens—another year of documenting what’s being read here at the lair. I know that many of you take on the annual 50 Book Challenge or some variation on this theme. I applaud any sort of challenge that encourages more reading. As a victorious participant in such a challenge a few years ago, I’m satisfied in knowing that I was able to meet this number once. Now, my personal challenge continues to be about sifting through my continuously growing library, reading the books that have been patiently awaiting their moment in the spotlight, and deciding if they deserve to remain a part of Loba’s Book Worship Society.

(Truth is, I really don’t like parting with books at all [except for those written by people with names like Stieg Larsson or Bret Easton Ellis]. However, I’ve yet to inherit any long-forgotten ancestral castles, so I must remain vigilant that my addiction to books does not outpace the space available to me.)

This year I’m going to focus even more on my own library rather than books I discover at the local library. I know, I said this last year…although, in my defense, I did read more of my own books than library books last year. Of the 45.5 books I read in 2011, 28 of them were previously unread books from my collection; only 18 were library books (including that abysmal one that I refused to finish). Of the 28 reads from my collection, I ended up donating 6 of them to the local charity shop. Of course, I then ended up buying my own copy (or rather, receiving it as a present) of one of the books I borrowed from the library and adding three more to my wish list for future purchase.

Still, progress was made!

On to 2012 then. You’ll notice the breakdown of my “BookBin2012″ progress list is a little different this year. Really, I’m just breaking down the process to keep better track of my tally. You will notice, however, a new set of options: “Save” or “Delete.” These would be in deference to the gorgeous Amazon Kindle I received for my birthday last year.

Yes, I have entered the digital age in regard to my reading.

That, in fact, is really what this particular book review is all about. Yes, I did recently finish reading Washington Irving’s The Legend of Sleepy Hollow. This is not the first time I have read it, and it won’t be the last. I’m quite fond of Irving and have already discussed my particular soft spot for Ichabod Crane. I think Irving’s quaint, creepy tale is a magnificent novella worthy of the few hours that it will take you to enjoy it.

Instead, I’d like to focus on the experience of reading my first eBook. First, I have to say, I adore my Kindle. It’s not one of the new Kindle Fire tablets, so there are no flashing colors and Wi-Fi temptations of online surfing or Netflix streaming. This is as it should be, in my nerdy, hipster, literature-worshipping opinion. It’s bad enough that you can play games on the original Kindles.

Okay, honestly, that’s pretty much what I’ve been doing with my Kindle since I received it. I downloaded Scrabble and a Word Search game (I am a Word Search BOSS), and they have served as suitable distractions from actual reading. This is a problem.

The primary problem, however, is I have some sort of strange aversion to reading books in an electronic format. I don’t really know how to explain it any other way, and I’m not sure how I can completely overcome it. It’s been a part of my collection of proclivities for a while, though. Way back when I first entered the PC world, my uncle gave me a CD-ROM that contained a huge selection of classic literature. It was with this disc that I made my first attempt at reading Bram Stoker’s Dracula. Something about reading it on a computer screen, however, became a huge hurdle that I simply could not surmount, and a few weeks later I ended up purchasing a copy of the book so that I could read it that way.

Guess what’s loaded onto my Kindle as my next eBook experience? Oh, Count, you will be conquered electronically. I swear it.

Admittedly, the most off-putting aspect of this first attempt at reading a book electronically was the distracting and somewhat painfully bright white screen. The Kindle’s screen, however, is remarkably deferential to a “real” book page. The background color is soft and muted, the text is crisp, and the screen is dulled to prevent accidental glare-induced blindness. It still took me a little while to get into the groove of reading on the Kindle (something about the text being a little too crisp became my latest distraction), but I was able to finally let go and read.

Was it enjoyable? Yes. The Kindle 3G (the version I have) is a perfectly acceptable size, especially when placed inside a cover like mine is. Not only does the cover protect my Kindle when I slip it into a backpack, it also serves as another means of fooling my brain into believing that I’m reading an actual book.

That being said, I simply don’t foresee the Kindle ever replacing real books, either in general or for me in particular. I know, I know. Vinyl records gave way to CDs. Video tapes surrendered to DVDs. Film cameras are on the endangered species list thanks to digital cameras. There’s a difference, though. All these other replacements improved upon their predecessors (for the most part; my video tapes never stopped me from skipping all the advertising flotsam at the beginning of the movie). Books, however, are different. Books can go anywhere. I can take a book on a plane and never be told that I have to put it away so the captain can land. I can accidentally step on a book and it’ll survive relatively unscathed. I can read a book in the bathtub and if I drop it, I dry it out. If I drop my Kindle in the bathtub…very bad things happen, denizens.

Plus, let’s not forget the beauty of the discounted and/or used book. I say it all the time, I love things like Amazon Marketplace or the bookstore bargain bins. There’s a certain satisfaction in finding a used book in perfect condition and for an even more perfect price.

Also, there is something about the tangibility of a book that simply cannot be replaced. There’s the supple give of the cover, the crackling of the spine, the soft scratch of the pages between your fingertips…reading a book is a ceremony of singular joy.

I’m probably deluding myself into believing that books won’t one day be replaced by eReaders. Although, it wasn’t a Kindle loaded up with the complete works of The Bard that Captain Picard kept in his ready room, now was it?

Of course, there is the sanitary aspect of the eReader that I find appealing. For all my support and love of our local library, there’s always that part of my brain that I struggle to silence when reading a library book. It’s that part of my brain that wants to constantly remind me that many others have handled this book…molested it with sticky, germy hands…taken it places that I really don’t want to think about…done things with it that I struggle to resist imagining…

Okay, I need to stop now before I ruin the library for everyone.

Even putting aside my strange bibliogermophobia, however, I still salivate whenever I see a large collection of books. This past weekend, for example, we walked past the Parkway Central Library of the Free Library of Philadelphia. I bet you can still see my nose prints on the glass as I peered longingly in at All. Those. Books.

Do I see my Kindle replacing my book collection? No. Do I see it augmenting my reading experience? I think so. We’re going to give it a proper go this year, for certain. I’m going to try to read at least one eBook every month throughout 2012. I’ve already collected plenty of reading options, thanks to Amazon’s Free Collection. Plus, with options like Open Library, Project Gutenberg, or ManyBooks, as well as more and more libraries providing eBooks as a borrowing option, I could theoretically spend the entire year reading nothing but what’s on my Kindle.

But then what would I do with all these books?

Final Verdict: I’m saving The Legend of Sleepy Hollow and keeping my fingers crossed that my Kindle experience continues to be an enjoyable one.